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Born in 1876, Anna Vaughn Hyatt came from a family that supported her interest in animals and the arts. Her mother and sister were both artists. Her father was a professor of paleontology, and she...
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Brian Rust's Earthen Cycle creates visual interest and a place of retreat in an otherwise overlooked stretch of grass connecting two parking lots. A Natural State visited Rust as he installed the site...
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The spheres of Earthen Cycle are made from a mixture of Portland cement, sand, kaolin and red clay. Layers were gradually built up like a pot. After a layer dried to a semi-soft state, it was shaped...
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This State of the Arts segment examines Earthen Bridge, an installation created for Clemson's Nature-Based Sculpture Program. The work complements the ephemeral form and rammed earth technique of...
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Janet prefers to use materials that "have lived a life," or show signs of age, use and decay. These elements help achieve a sense of harmony between the manmade and natural objects in her work. An...
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A dress form provides an occupant for the "bedroom area" of "Visceral Realities," a temporary installation at the Upstairs Gallery in Tryon, North Carolina. The proud object presides over other...
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Nest Bed is tucked into the corner of the "bedroom area" of "Visceral Realities," a temporary installation at the Upstairs Gallery in Tryon, North Carolina. Its bed frame is cushioned with a mattress...
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An art opening invites people to see the debut of artwork in a gallery or museum. Openings invite reviews from the media, and give art-enthusiasts, students and other tough critics a chance to meet...
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The physical qualities of natural materials inform Brian Rust's work. Wood is media that he carves and manipulates to a degree, while still allowing the material to "speak directly" to the viewer...
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From across the room, Sanctuary appears domestic and familiar—a collection of chairs, a birdhouse, a rug and display shelf invite momentary retreat from the gallery. Closer inspection reveals the...