Audio
One of the choirs that sang in the Sunday afternoon “Gospel Extravaganza” portion of the Williamsburg County Black Heritage Festival in Kingstree, SC.Gospel/Spirituals
Music that explores themes of Christian belief and biblical history, and is popular among black and whites alike. Their renditions may differ significantly, in keeping with the cultural/stylistic traits of blues and old-time coun¬try/bluegrass, respectively. Early African American spirituals, church hymnody, and blues formed the basis for the rise of gospel music in the 1930s. Sacred music has many stylistic variations – 3 and 4 part harmony, shape-note, common meter hymn choir, call-and-response, and praise house are all a part of gospel’s foundation.
Content is provided by McKissick Museum, University of South Carolina.
For further information about any of the artists featured on Digital Traditions, send your questions and comments to hallagan@mailbox.sc.edu.
Within this Series
Photo
Father Campbell served as the pastor of Camp Baskervill in Pawleys Island, SC (Georgetown County). Camp Baskervill developed summer camps for at-risk youth and was instrumental in bringing together...Audio
The songs were recorded live, with no microphones in order to enhance a listener’s transportation by the old-style, traditional slave spirituals praising God even though times were dark.Audio
This recording consists of songs predominately created, nurtured, and encouraged by Black Americans. "Negro" spirituals are musical derivations of Africanic arts coupled with the love, power, and...Audio
The songs were recorded live, with no microphones in order to enhance a listener’s transportation by the old-style, traditional slave spirituals praising God even though times were dark.Audio
By Bailey Bethel AME Church, Shape Note Singing ConventionAudio
Lead by Fred Davis. From the recording "I'll Sing His Praise." A vast majority of the audio is unintelligible due to the quality of the recordingAudio
The songs were recorded live, with no microphones in order to enhance a listener’s transportation by the old-style, traditional slave spirituals praising God even though times were dark.