The Harp | A Minute with Miles
Audio
Here's a little secret: harpist don't use their pinkies even though they have 47 strings to play. In today's episode, Miles Hoffman describes how the Harp is played.Learn about instruments and compositional techniques. Also, explore various musical styles and meet musicians featured on Knowitall.
Audio
Here's a little secret: harpist don't use their pinkies even though they have 47 strings to play. In today's episode, Miles Hoffman describes how the Harp is played.Audio
When the dance known as the waltz first became popular in Europe in the late 1700's and early 1800's, it was considered by many to be the ultimate in lewdness and licentiousness.Audio
Yesterday I talked about vibrato, the technique that string players use—rocking the fingers of their left hands back and forth to create small oscillations in pitch that result in a warmer, more...Audio
Have you ever wondered how the violin came to play such an important role in the history of classical music? Well, it starts with singing. The invention of opera, in late 16th century Florence, marks...Audio
I’ve been talking this week about vibrato, the vibrato that string players use to warm up their sounds, and the vocal vibrato that’s the natural product of healthy singing. All vibrato consists of...Audio
When violinists play, their left hands always seem to shake. But it’s not because they’re nervous. Violinists, violists, cellists, and double bass players all use a technique called vibrato.Audio
The clarinet was the last of the principal woodwind instruments to join the orchestra. The modern clarinet evolved from earlier forms in the early 1700's—later than the modern oboe, bassoon, and flute...Audio
Serenade is one of those musical terms that has meant many different things at many different times. The term itself comes from the Italian sereno, which is from the Latin serenus, which means “serene...Audio
On January 2, 1881, the Spanish violinist Pablo de Sarasate was in Paris to play the premiere of the Violin Concerto No. 3 by Camille Saint-Saëns.Audio
The harpsichord, the keyboard workhorse of the Baroque period, is an instrument with a problem: varying the touch on the keys has absolutely no effect on volume or tone quality. Depress a key gently...